Reviews

Robert Aiki Aubrey Lowe Crafts Sonic Cinema for I CARE IF YOU LISTEN (2026)
Rewire Festival 2026 Review for I CARE IF YOU LISTEN (2026)
Talk Show: Miss America at Roulette Intermedium for I CARE IF YOU LISTEN (2026)
Bloodlines: Interwoven at National Sawdust for I CARE IF YOU LISTEN (2026)
ICIYL’s Favorite AOTYs (2025) (Mini review of Los Thuthanaka) for I CARE IF YOU LISTEN (2025)
#MOTION: EOTY Mixtape for Which Sinfonia (2025)
Endlings Embraces Ambiguity on Labyrinthine New Album for I CARE IF YOU LISTEN (2025)
History Dog, Elder Ones & Qasim Naqvi Cultivate Justice for I CARE IF YOU LISTEN (2025)
Yasuaki Shimizu Re-Introduces Himself for I CARE IF YOU LISTEN (2025)
ICIYL’s Favorite AOTYs (2024) (Mini review of Shabaka) for I CARE IF YOU LISTEN (2024)
Extreme Music (on Morgan Garrett live in Chicago) for Which Sinfonia (2024)
Fuubutsushi is All About Time for I CARE IF YOU LISTEN (2024)
Bilal Nasser’s “How Can We Say Nothing” for Musicworks #148 (2024)
Long Play 2024 Does Emo Ambient (Ana Roxanne, FUJI||||||||||TA, & claire rousay) for Which Sinfonia (2024)
Emahoy Tsege Mariam Gebru / sinonó / LARAAJI at St. Mark’s for Which Sinfonia (2024)
MIZU Maps Terra Incognita on “Forest Scenes” for I CARE IF YOU LISTEN (2024)
Momentary Landmarks: EOTY Mixtape for Which Sinfonia (2023)
Space/Time/Memory: A Night at the Noguchi for Which Sinfonia (2023)
Two Records for June for Which Sinfonia (2023)
Lisel’s Patterns for Auto-Tuned Voices… for Which Sinfonia (2023)
Molly Joyce’s “Perspective” for Which Sinfonia (2022)
BLACK BROWN GRAY GREEN: Healing in Post-Industrial Communities for I CARE IF YOU LISTEN (2021)
They Will Take My Island: Collective Memory and Preservation for I CARE IF YOU LISTEN (2021)

Festival/Event Previews

Nadia Sirota Curates “Living Music Underground” Summer Series for I CARE IF YOU LISTEN (2025)
Women From Space Festival Fosters Encouraging Environments for I CARE IF YOU LISTEN (2024)

Interviews + Artist Features

Perpetual Adaptability: Amina Claudine Myers at 84 for I CARE IF YOU LISTEN (2026)
Lucy Liyou on Disappointment, Humor & Liberation for Which Sinfonia (2026)
5 Questions to Camila Agosto for I CARE IF YOU LISTEN (2026)
5 Questions to Dreamcrusher for I CARE IF YOU LISTEN (2026)
5 Questions to Lu Coy for I CARE IF YOU LISTEN (2025)
Surrendering to the Process (Interview with Jlin) for Liquid Music Blog (2025)
JOHN PUGH IS WAITING FOR THE FUTURE for Which Sinfonia (2025)
Cosmic Tones Research Trio Interview for Mississippi Newsletter #35 (2025)
From New Music to Queer, Underground Nightlife for I CARE IF YOU LISTEN (2025)
Amy Beth Kirsten’s Multidimensional Storytelling for I CARE IF YOU LISTEN (2025)
Damon Locks Broadens the Continuum of Black Art for I CARE IF YOU LISTEN (2025)
Bilal Nasser Centres Community for Musicworks #149 (2024)
George Lewis Profile + “The Comet” Preview for I CARE IF YOU LISTEN (2024)
The Honourable Elizabeth A. Baker Challenges Paradigms for I CARE IF YOU LISTEN (2024)
Wendy Eisenberg on Sight, Seeing & Seduction for Which Sinfonia (2024)
KRM and KMRU on Differences, Collaboration, and the Unexpected for Composer Magazine (2024)
Nathalie Joachim on Sampling, Self-Reclamation & Communal Healing for Which Sinfonia (2024)*
5 Questions to Tania León for I CARE IF YOU LISTEN (2023)
POV: You’re Alone on Your Birthday (Interview with Cassie Wieland) for Which Sinfonia (2023)
5 Questions to Roya Sadat for I CARE IF YOU LISTEN (2023)
How to Live a Complex Life / in Pursuit of an Honest Death (Interview with David Lang) for Which Sinfonia (2023)
J.E. Hernández Uplifts Migrant Laborers… for I CARE IF YOU LISTEN (2022)
Trevor Weston Facilitates a New Way Forward… for I CARE IF YOU LISTEN (2022)
Alexa Dexa Dreams of Transformative and Accessible Spaces for I CARE IF YOU LISTEN (2022)
5 Questions to Jose Solís for I CARE IF YOU LISTEN (2022)
5 Questions to Sultana Isham in I CARE IF YOU LISTEN (2021)

***
5 Classical Music Albums… in The New York Times hyperlinks “Nathalie Joachim on Sampling…” (2024)

Artist Bios

JJJJJerome Ellis - artist biography (2025)

Poetry

Wildfires in The Midnight Sun (2023)
induced gravity in The Poetry Project Footnotes (2023)
IONIZATION in The Poetry Project Newsletter (2023)
“Prime” and “1UP” in WE BEEN HERE (Belladonna Collective, 2022)
“AFFIRMATION 1” and “Omega Point” in TRANSFIGURATIONS (Violet Indigo Blue, 2022)
MAKROKOSMOS (after George Crumb) in Which Sinfonia (2022)
“Ratios” and “Put simply, it’s this way” in Underblong (2021)
“Ojalá” and “Vegan” in the tiny (2021)
Canto in Atlas and Alice (2021)
Minor in Afternoon Visitor (2021)
“familiar” and “every day the earth shrinks…” in Peach Mag (2019)
small forms (self-published chapbook, 2017, rev. 2018)
SUNSHOWERS (self-published chapbook, 2017)
Big and Small and Black (self-published chapbook, 2016)
Four poems in Potluck Magazine (2016)

Awards

“Ratios” - nominated for 2021 Pushcart
“Ratios” and “Put simply, it’s this way” - awarded 2021 Blongprize
“Canto” - nominated for 2021 Best of the Net

Readings

The Poetry Project: Spring 2023 Workshop Reading - 6/5/23
The Brooklyn Rail: THE RAREST BLACK WOMAN ON THE PLANET EARTH (NSE #694) - 11/18/22

Essays + Other

Building an Accessible & Community-Focused Practice Essay for I CARE IF YOU LISTEN (2023)
innova Recordings Celebrates 40 Years… Retrospective for I CARE IF YOU LISTEN (2022)