I am an experimental artist living in Lenapehoking (Harlem, NYC). My work is grounded in queer, DIY, and liberatory frameworks; and it utilizes electroacoustic composition, sampling/collage, improvisatory modes, and consideration of relational aesthetics. I am mostly interested in the cultivation of care & intimacy, multidisciplinary and/or post-genre collaboration, and prioritization of community & accessibility.
I perform with my violin & voice with extended techniques and electronics. My album AFTER (PTP Vision) will be out on Nov 7, 2025; following my 2023 debut release AmethYst (people places). I frequently perform as versatile “death ambient” and hardcore project medium. (with gg200bpm). Recently, I have been drawn to long-form improvisation, club music, sound design, and production-forward songwriting. I’ve had the opportunity to perform at Lincoln Center, The Shed, MoMA, National Sawdust, Public Records, Roulette Intermedium, Nowadays, Trinidad and Tobago Carnival, MASS MoCA and The Poetry Project – as well as beloved DIY spaces like Trans-Pecos, The Lot Radio, and Intercomm.
I’ve worked with artists including Centennial Gardens (Dreamcrusher + KING VISION ULTRA), Charles Gaines, claire rousay, Leilehua Lanzilotti, Lisel/Eliza Bagg, JACK Quartet, Miss Grit, Nyokabi Kariuki, Vines, and Wadada Leo Smith. I’ve been commissioned by A Far Cry, Beth Morrison Projects, Black Mountain College Museum & Art Center (with Hub New Music), Brooklyn Youth Chorus, the Minnesota Philharmonic; and Opera Philadelphia – for which I created PAPER TIGER (2023) with filmmaker Sean Pecknold. Recent projects include scoring & music directing Asia Stewart’s evening-length Fabric Softener (2024) at The Shed, and new work for International Contemporary Ensemble (2025). I was nominated for a 2025 Gaudeamus Award; and was recently a Pioneer Works music resident (Feb-March).
I am also a poet & (music/arts) writer, organizer, amateur powerlifter, and member of PTP Vision artist collective. HEAVY HEARTS is my live performance series I created to facilitate & celebrate vulnerability in sharing experimental, noise, and hardcore music. I love horror, chess, reality competition television, and hearing people laugh.
***For presenters/programs: My birth year can be listed as 199x, my pronouns are they/them, and I identify as non-binary/trans only, (not female).