I am an experimental artist living in Lenapehoking (Harlem, NYC). My work is grounded in queer, DIY, and liberatory frameworks; and it utilizes electroacoustic composition, sampling/collage, improvisatory modes, and consideration of relational aesthetics. I am mostly interested in the cultivation of care & intimacy, multidisciplinary and/or post-genre collaboration, and prioritization of community & accessibility.

I perform with my violin + voice with extended techniques & electronics – solo, and as “death ambient” project medium. (with gg200bpm). I occasionally perform as Centennial Gardens (noise project with Dreamcrusher + KING VISION ULTRA). Recently, I have been drawn to long-form improvisation, club music, sound design, and production-forward songwriting. I’ve had the opportunity to perform at Lincoln Center, The Shed, MoMA, National Sawdust, Public Records, Roulette Intermedium, Trinidad and Tobago Carnival, MASS MoCA and The Poetry Project – as well as iconic DIY spaces like Trans-Pecos, The Lot Radio, Intercomm, and Light & Sound Design. My debut album AmethYst released in April 2023 on people | places | records.

I’ve worked with artists including Charles Gaines, claire rousay, Leilehua Lanzilotti, Lisel/Eliza Bagg, JACK Quartet, Miss Grit, Nyokabi Kariuki, Vines, and Wadada Leo Smith. I’ve been commissioned by A Far Cry, Beth Morrison Projects, Black Mountain College Museum & Art Center (with Hub New Music), Brooklyn Youth Chorus, the Minnesota Philharmonic; and Opera Philadelphia – for which I created PAPER TIGER (2023) with filmmaker Sean Pecknold. Recent projects include scoring & music directing Asia Stewart’s evening-length Fabric Softener at The Shed, new work for International Contemporary Ensemble (2025), and collaboration(s) & offerings as a member of PTP Vision collective. I was nominated for a 2025 Gaudeamus Award; and was recently a Pioneer Works music resident (Feb-March).

I am also a poet & (music/arts) writer, organizer, and amateur powerlifter. HEAVY HEARTS is my live performance series I created to facilitate & celebrate vulnerability in sharing experimental, noise, and hardcore music. I love horror, digital (sub)cultures, qtpoc raves/communal spaces, and hearing people laugh.